Chapter 462: Chapter 461 – Viktor’s Arrival to Meet His Mother-in-Law

Her bodice was half-open. Not torn — worked loose, the laces pulled with the patient, practiced efficiency of men who had done this before in exactly this alley.

One guard had both hands at her waist from behind, fingers curling into the hem of her skirt with the slow upward creep of something that had decided it wasn’t in a hurry. Another was in front, his thumb tracing the edge of her exposed neckline while he smiled at her with the specific smile of a man who knows no one is coming.

The third stood with his back to the alley entrance.

His cock was in his hand.

Already hard. Already out, the crude, heavy length of it pointed at the woman while he stroked himself with the leisurely confidence of someone warming up.

“Please—” Her voice came out small and pressed-flat and mortified. “Please, sir, my husband— he’s waiting for me at the— please just let me—”

“Your husband,” the front guard said, pleasantly, “is exactly why you’re here. Should’ve kept the fees current.”

The rear guard’s hands had her skirt now. Bunching it upward past her thighs in slow inches, his fingers trailing up the inside of her leg, and her hands were pressed against the front guard’s chest in a push that had exactly zero structural effect.

The third guard spat in his palm.

Stroked.

“Just give us what we want,” the front guard said. His thumb hooked the edge of her bodice and pulled the fabric aside. The breast beneath — full, pale, the nipple stiffening from cold and humiliation both — came free as he groped it from below, lifting its weight in his palm. “And you’ll be home before noon.”

The woman’s lips pressed together.

Her eyes were dry but barely.

Her skirt was now above her hips.

The rear guard’s fingers found the waistband of her undergarments and began to pull — slow, deliberate, the fabric stretching and then beginning to slide — and the woman’s entire body tensed with the specific, helpless rigidity of someone whose last option has just been removed.

“No—” She said it quietly. To herself more than to them. “No, please—”

Three zips. Three cocks. The air in the alley carrying the heavy, rank smell of unwashed entitlement.

The third guard stepped forward.

Three arrows.

They came from no visible direction — diagonal, fast, with the specific flat thwack of magic-assisted fletching rather than a bow — and each one found a thigh. Outer thigh, each guard, the placement precise enough to drop them without touching the woman.

The guards went down.

One. Two. Three.

Not dead. Screaming, actually — the impact and the magic in the arrowheads combining into a pain response that hit considerably harder than a standard wound — their cocks going rapidly unerect in the specific way that intense agony accomplishes what decency couldn’t.

The woman stumbled backward.

Her hands flew to her skirt, pulling it down, both palms pressing flat against her thighs as if she could physically push the last few minutes back. Her bodice. She grabbed it. Pulled the laces tight with shaking fingers, her breath coming in the short, sharp rhythm of controlled not-crying.

She looked around.

The alley was empty except for three men on the ground.

“What—” She turned in a full circle. “What was that?”

~~ HARTFIELD MANSION — PRIVATE CHAMBERS

Three floors up and half a mile away, a woman fell back in her chair.

Her nose was bleeding.

The artifact — a mirror, full-length, framed in copper that had gone dark with use — was still radiating the faint warmth of spent magic from its surface, the image in it fading from an alley view back to simple reflection.

She pressed the back of her hand to her nose.

Breathed.

Looked at the ceiling.

Lady Eliantra Westing — Mistress of Hartfield County, widow of Lord Aldric Westing, whose underground networks and bought officials and quiet, comprehensive corruption had taken eleven years to build and eleven days after his execution to become her problem — pressed a handkerchief to her nose and stared at the plaster overhead with the eyes of someone who has been doing this too long.

The room around her was the room of a woman at war with paperwork and losing.

Files. Stacked on the desk, the floor, the windowsill. Correspondence opened and half-answered and annotated in the margins with notes that were increasingly less diplomatic as the pile grew. Three candles burned at once — it was mid-morning, fully lit from the window, and she’d lit them anyway because she’d been here since before dawn.

She looked down at herself.

The nightgown she’d meant to change out of three hours ago. The dark circles that the mirror above the washbasin had shown her this morning with the dispassionate frankness of a mirror doing its job. The full weight of her body — curves that her husband had last touched in the possessive, proprietary way of a man who had owned things rather than loved them — now simply present in the fabric of her gown, unobserved, unremarked, the saggy fullness of her breasts pressing against the thin cotton, the generous spread of her hips in the chair.

She looked at her hands.

Ink stains. A healing paper cut. The faint tremor that the artifact use always left behind — her hands weren’t built for that volume of precision magic, but the alternative had been letting those guards finish what they were doing.

“I cannot save anything,” she said.

To the room.

To herself.

The words fell flat and stayed there.

She cleaned the blood from her upper lip and tried to remember if she’d eaten today. She hadn’t. The tray from yesterday was still at the door.

The knock came.

She didn’t flinch. She’d been expecting a knock since the courier had arrived at six this morning with the third resignation letter of the week — another household servant, another “personal reasons” that meant someone in the capital paid me more than your dignity is worth.

“Come.”

The door opened.

Marta.

The old woman — sixty-something, silver-haired, built with the specific solidity of someone who had been sensible her entire life and found it had served her well — came in with the particular bearing of a woman who has assessed every room she’s ever entered from the doorway.

She looked at the mirror. At the handkerchief. At the files. At her lady.

“My lady.” A small bow. “You have guests.”

Eliantra looked at her.

“I’m not dressed.”

“No.”

“I look—”

“Yes.” Marta’s expression was the expression of a woman who loves someone enough to be honest. “You do.”

Eliantra stood. Slowly, with the careful economy of a body that had been sitting in the same position since before sunrise and was making its opinions known about that. She moved to the washbasin. Washed her face. The cold water helped — the color coming back, the exhaustion retreating to something behind her eyes rather than written on the surface of her.

She looked in the small mirror above it.

Dark circles. Hair that had given up any pretense of arrangement. The soft, heavy line of her jaw, the fullness of her face that had once been called beautiful by people who had meant it and once been called imposing by people who’d meant that instead.

She pinned her hair back. Not well. Adequately.

Found a robe that covered the nightgown.

Turned to Marta.

“Who is it?”

Marta’s expression shifted slightly. The specific, small shift of an old woman who has a piece of information she finds interesting.

“Someone you know, my lady.”

“Who?”

“That child.”

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